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喜歡看書嗎？也喜歡買書嗎？但是常常把書看完一遍就沒時間再看第二遍了。這種情況一定很常發生在你我身上，突然到了某一天，看到了
滿出來的書櫃，才覺得有那麼多的書籍都躺在那邊無人問津，真的是好可惜喔。想當初我可是花了一筆一筆的MOENY把它們買回家，重點是，還有
很多都是才剛出來的新書，也不便宜呢！想想感覺好像又有點浪費。 所以近幾年來，我買書的習慣變了，我喜歡上一個賣二手書的網路書店-TAZZE。
除了二手書的價格便宜了不少，重點是他還提供給我們賣二手書的平台，讓我的書櫃裡的書可以找到去處，也可以再回收一些錢回來。感覺也不錯。
最近我在找一本書， Zhao Mengfu：Calligraphy and Painting for Khubilai’s China ，習慣性在TAZZE找找看 Zhao Mengfu：Calligraphy and Painting for Khubilai’s China 有沒有賣，還真的給我找到了 Zhao Mengfu：Calligraphy and Painting for Khubilai’s China 。看起來滿新的，價格
也真的粉便宜。對 Zhao Mengfu：Calligraphy and Painting for Khubilai’s China 有興趣的朋友，也提供 Zhao Mengfu：Calligraphy and Painting for Khubilai’s China 的網頁給大家參考一下。
Zhao Mengfu：Calligraphy and Painting for Khubilai’s China
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商品訊息功能:
商品訊息描述:
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作者：
Shane McCausland
出版社：
香港大學出版社
出版日期：2011-04-01
ISBN/ISSN：9789888028573
語言：英文
裝訂方式：精裝
頁數：431頁
商品訊息簡述:
Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretation of pictorial forms in light of historical changes, and close readings of critical colophons, many appended to artworks, but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618–907) and other period modes as models for the 'Yuan renaissance'.
The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book is a must for scholars, curators and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting.
作者簡介：
Shane McCausland is Senior Lecturer in Chinese art in the Department of the History of Art and Archaeology at SOAS, University of London.
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